Cinema Shot Newsroom
This new Canon COMPACT-SERVO 70–200mm T4.4 EF lens – the newest member to the 4K Super 35mm Lens Category – is compact and lightweight helping to ensure outstanding mobility. Acknowledging the need to control zoom, focus and iris, Canon has developed this zoom lens with full integrated servo control. The COMPACT-SERVO 70-200mm lens offers professional video functionality at an affordable price, making it ideal for a wide range of professional video recording environments including documentary cinema, news gathering, wedding and other video productions.
The second in a new class of Canon lenses, the COMPACT-SERVO 70-200mm Telephoto Zoom Lens is a cinema-style lens that includes a servo drive unit as a standard feature. Additionally, the lens incorporates Image Stabilization, Autofocus, and Auto Iris functionality*, three extremely useful features not commonly found in cinema lenses, but are popular in EF lenses. The lens also provides high image quality that supports 4K image productions and was designed to be utilized in a variety of shooting styles including, hand-held, shoulder mounted, and tripod mounted. MORE
Being a filmmaker, every single shooting day awaits you with its individual, unforeseen challenges. Even if you plan your shoot carefully, unexpected moments are sometimes just what you need. It’s your ambition to capture our world’s unique, unreproducible moments. What could be more important to you than a powerful toolset?
The focal length range between 21 and 100 mm supplies you with a wide scope of choosing the perfect angle and the ability of capturing a unique moment any second, without the time-consuming procedure of changing lenses.
Your shots will stand out with pin-sharp structures, vibrant colors and high contrast. Nicely shaped out-of-focus lights, a lovely bokeh and focus roll-off produce the desired cinematic look and feel of a scene. The shift of focus while zooming in and out, especially common with still photography zoom lenses, is no issue with the ZEISS LWZ.3. MORE
The PL 20-120mm Cabrio XK (XK6x20) features an exclusive detachable servo drive unit, making it suitable for use as a standard PL lens or as an ENG-Style lens. The XK6x20 also features flange focal distance adjustment, macro function, and is LDS (Lens Data System) and /i metadata compatible. With a 20-120mm focal range, weight of only 2.9kg including servo motors, a T Stop of T3.5 end to end, The Cabrio XK is sure to become the "go to" lens.
Videographers used to shooting video in a typical ENG-style will be very comfortable with the servo. Cinematographers will also be right at home with this lens. With the detachable drive removed, the lens is set to accept industry standard cine motors and matte boxes. Plus, the lens has all the lens data output that appeals to a Cine-style shooter. LDS and /i metadata compatibility is very useful when you want to record the position information of zoom, iris and focus for computer animation and other uses.
The digital servo on the 20-120mm Cabrio XK has 16-bit encoding, so operators can be assured that all lens data output is extremely accurate.
The 20-120mm covers S35 sensor size (Super 35 Film Format - 24.84 x 13.97mm) PL 20 – 120mm on a digital cinema style camera. While sensors on standard broadcast cameras are all the same size, sensors on digital cine cameras vary greatly. This new zoom ensures the image captured will cover large sensors for optimal, full-frame resolution. A nine-blade iris part of the design as well, creating the most natural-looking imagery possible.
Barrel markings are luminous for visibility in dark shooting situations. Distances are listed in feet or meters and can be changed in the field. The 20-120mm can be controlled using cinema industry standard wireless controllers, as well as existing Fujinon wired and wireless units. Whether you are from a film background or a video one, the Premier PL 20-120mm offers uncompromising quality and unprecedented flexibility.
For more information on the Cabrio, visit Fujinon Cabrio
The COMPACT-SERVO 18-80mm T4.4 EF-mount lens combines the benefits of compact size and light weight (only 2.7 lbs.) for outstanding mobility. Designed to shoot video, this lens can be ideal for the cinematographer moving up from our EF lenses, combining the functionality of our EF lenses with the video shooting features of our Cinema lenses.
Acknowledging the need to control zoom, focus and iris/aperture, Canon has developed this zoom lens with full external servo control for drama, documentary and other video productions. The servo drive unit is compatible with industry-standard lens controllers including Canon's standard broadcast lens controllers (ZSD-300D/FPD-400D). The optional ZSG-C10 grip designed exclusively for this lens adds additional flexibility for the ENG style "run-and-gun" video shooter.
Canon's first Cinema style lens that incorporates both an Image Stabilization function and Auto Focus function, the lens is also fully 4K-ready, with a high optical resolution and support for Super35mm large-format cameras. A 9-blade aperture diaphragm helps ensure an artistic and beautiful representation of out-of-focus areas (or "Bokeh"). The lens also features a 4.4x zoom magnification, a focal length range of 18mm to 80mm, and a 180° smooth rotating focus ring.
Overall, the video features and functionality of the COMPACT-SERVO 18-80mm T4.4 EF-mount lens make it an ideal choice for a wide range of professional video shooting environments.
For more information on Canon's new lens, visit Canon Compact Servo
Panasonic has extended its cinema line up with the addition of the VariCam LT, a lightweight, compact camera, offering many of the features of the 4K VariCam 35.
The camera retains the ability to shoot in both 4K (4096 x 2160) and UHD (3840 x 2160) and features high sensitivity, low noise, wide dynamic range and a cinematic depth of field.
In order to maintain the VariCam ‘look', the VariCam LT is equipped with a 35mm single-chip MOS sensor, originally developed for the VariCam 35 and has a same wide dynamic range. This ensures accurate image rendering over the entire image, from dark areas to highlights.
This sensor has two native ISO settings of 800 and 5000. Having two dedicated analog circuits means much higher sensitivity without increased noise.
In addition the VariCam LT offers the ability to change the mount from an EF mount*1 (standard) to a PL mount (optional), increasing the range of usable lenses.
The ‘V-Gamut' in the VariCam LT gives the camera a wider color gamut than traditional film. The ‘V-Log' gamma curve has evolved further to extend the dynamic range to 14+ stops.
Capable of 60fps in 4K, the camera also has a new sensor center crop mode, allowing 240fps for slow motion in both HD and 2K. It is also cost efficient in both operation and workflow due to in-camera color grading, AVC-Ultra codec and multiple recording formats (4K/UHD/2K/HD proxy).
The VariCam LT supports both Panasonic and third party viewfinders and comes with a number of optional extras including shoulder mount, grip and PL mount. The camera is available from March 2016.
For more information on Panasonic's range of Broadcast and ProAV products, please visit: http://pro-av.panasonic.net/en/varicam/index.html
*1: Panasonic does not guarantee the compatibility or performance of all EF lenses.For more details, to be updated on the Panasonic website.
(Colorado Springs, CO) 10/28/15 – Today Convergent Design announces Apollo, the industry’s first truly portable HD multicamera recorder/switcher. Apollo can simultaneously record up to four HD video signals, along with a fifth channel of either a live-switch between the four or a quad-split reference view. Apollo can also function as a four-channel live switcher while simultaneously recording the four isolated HD video signals. The size of a small tablet and able to run for hours on a camcorder battery, Apollo is truly portable and the only device of its kind that can both record multiple HD camera feeds as well as live-switch between them. It’s a production studio in the palm of your hand.
All cameras stay in perfect sync with matching timecode. A single SSD contains all of the multicamera media, dramatically reducing turnaround time for post. There are two SSD slots on Apollo, allowing for twice the record time or mirror recording for safety backup. Apollo utilizes industry-standard 2.5” SSD media, either manufactured by Convergent Design or qualified 3rd party models.
Additional functions are planned for release in the first quarter of 2016, including two-channel 4K/UHD video recording, DNxHD recording, and cascade interconnect between up to three Apollos for up to twelve HD channel or six 4K/UHD channel simultaneous recording. These and other additional functions will be made available via a free firmware update. A remote keypad control unit will be offered along with a rack mount and other accessories.
Announcing the new ARRI ALEXA Mini
ARRI announces the new ALEXA Mini, a versatile additional tool in the ARRI ALEXA camera range that combines a compact and lightweight form factor with the same unparalleled image quality that has made the ALEXA system a gold standard for the industry. Designed for specialized shot-making, the ALEXA Mini perfectly complements a full ALEXA shooting kit and allows crews to eliminate the complications of working with third-party cameras by keeping everything within a single system that is trusted all over the world.
To maintain ARRI's famously rugged build quality in a small and lightweight camera, a number of unique design solutions have been incorporated. These include highly integrated and environmentally sealed electronics, a lightweight carbon housing and a solid titanium PL mount that connects directly with the new internal sensor mount to ensure a super-stable flange focal distance, even when using large lenses. Nimble in use and hardy on set, the ALEXA Mini is a go-anywhere tool, easy to transport in backpacks or as carry-on luggage.
The ALEXA Mini can be operated in a number of ways: by wireless remote control, as a normal camera with the ARRI MVF-1 multi viewfinder attached, or with an on-board monitor and controlled via the user button interface on the camera body. Light enough to be comfortably held at arm's length in a hand rig, its compact size and extremely quiet operation also make it ideal for tight shooting conditions. The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. In addition, the ALEXA Mini's interchangeable lens mount can be replaced with any of those designed for the ARRI AMIRA, allowing the use of B4 video and EF mount stills lenses.
Equipped with a 4:3 sensor, automatic de-squeeze mode for anamorphic productions and frame rates of 0.75-200 fps, the ALEXA Mini records ProRes or uncompressed ARRIRAW either in-camera to CFast 2.0 cards or to a specially-designed external Codex recorder that can record image streams from up to four ALEXA Minis simultaneously -- a compelling option for multi-camera setups such as 360° plate shots. Images from the ALEXA Mini will perfectly match those from all other ALEXA cameras, making the final grade easier and quicker.
Integrated functionality is at the heart of the ALEXA Mini's efficient and self-contained design. A built-in lens motor controller allows new active lens motors to be connected directly to the titanium PL mount, while ARRI Lens Data System (LDS) technology provides frame-accurate metadata that can save time and money both on-set and in post. Wi-Fi connectivity means that iOS or Android devices can be used to remotely control camera functions such as the motorized internal ND filters, which permit rapid responses to changing light conditions without adding bulk to the camera configuration.
The body design is optimized for use with new-generation brushless gimbals, multicopters and other specialized rigs. It is compact enough in the lens direction to allow the use of standard PL mount lenses even on lightweight and space-constrained rigs, such as gyro-stabilized aerial systems. The camera's superb low-light performance makes it perfect for underwater work; dedicated underwater housings are currently being developed by leading manufacturers.
Like the ARRI AMIRA, the ALEXA Mini can record 4K UHD ProRes images, facilitating real-time 4K UHD output and simple pipelines for high-resolution deliverables. More importantly, the Mini and all other ARRI cameras with the ALEV III sensor offer unrivalled overall image quality by focusing not just on spatial resolution, but also on other parameters such as colorimetry, skin tones and High Dynamic Range (HDR). This is equally true whether the chosen output is HD, 2K, 4K UHD or one of the native resolution outputs like uncompressed ARRIRAW 2.8K or ProRes 3.2K, ensuring that images captured with the ALEXA Mini are future-proof, whatever new industry standards emerge.
Following in the footsteps of the breakthrough AG-DVX100, the new AG-DVX200 debuts as the world’s first*1 4/3-type large format, 4K/60p*2 camcorder to feature an integrated zoom lens. The DVX200 captures stunning imagery by virtue of LEICA DICOMAR 4K 13x zoom lens combined with an advanced large format 4K imager and the blending of aesthetics like shallow focus, attractive Bokeh, and an amazing 12 stop dynamic range made possible by the VariCam style V-Log L processing.
Newly designed lens-integrated body provides excellent mobility and extra flexibility is supported by the compartment with hatch-type cover which protects the battery and terminals from dust and impacts. The crimson red coloring and stylish carbon-black textured body represents philosophy and advanced features of the new AG-DVX200 which produce emotional and highly detailed 4K images.
Building on the esteemed VariCam® legacy of breathtaking image rendition and versatile off-speed effects. Panasonic offers two VariCams, one a 4K camera (VariCam 35) that incorporates a newly-developed super 35mm MOS image sensor; the second, a 2/3" camera (VariCam HS) that features high-speed 1080p image capture of up to 240fps to produce extraordinary high-definition imagery for the most demanding documentary, sports or SFX slow-motion applications.
Their next-generation modular two-piece design will deliver unprecedented flexibility, allowing you to move between the worlds of cinema, TV episodic, sports, documentary, and other content creation with extraordinary ease and efficiencies.
The VariCam 35 features superb image handling in multiple formats ranging from pristine 4K RAW to 4K, UHD, 2K, HD and ProRes capture formats making it an unparalleled tool for high-end filmmaking, commercials, episodic production and live 4K events. The VariCam 35 system includes AU-V35C1G s35mm 4k camera head, the AU-VREC1G recorder, AU-VCVF1G OLED viewfinder, and the AU-VSHL1G shoulder pad/tripod mount.
ARRI proudly introduces AMIRA, a versatile documentary-style camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag, AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded looks based on 3D LUTs, as well as 200 fps slow motion. AMIRA Specs
Announcing the new Zacuto Gratical OLED Viewfinder
The Gratical HD Micro OLED electronic viewfinder uses an extremely powerful FPGA dual core processor and the latest Micro-OLED displays to provide a hugely expanded contrast range. Micro-OLED display supports high pixel density with unparalleled resolution, true blacks, gamma and contrast range. The Gratical HD has 5.4 million pixels on a 0.61” diagonal screen no bigger than the size of your thumbnail.
The Gratical HD includes two HDMI and two SDI ports with cross conversion from HDMI to SDI. Weather resistant covers prevent moisture or debris from getting in open ports.
You’ll be amazed with how sharp the image is. The internal field of view is just the right size so that the image is large, but not so that your eye has to roam to see the entire image at once. It features a built in -1 to +4 diopter range and Zacuto’s latest anti-fog coating formula. An auto-closing eyecup door prevents sunburn display automatically without any action by the operator.
Mount the Gratical HD to your Next Generation Recoil via the 1/4 20 rosette on the side with an Axis Mini. You can also mount the Gratical HD with the ¼ 20 screw hole in the bottom. Included is the LP-E6 style battery with charger and universal plug adapters.
PAGlink is the first battery system that allows batteries to be charged while linked. PAGlink high-power linking batteries are designed to power a wide range of professional cameras and equipment used by broadcast television stations, hire facilities and production companies.
Charge up to 16 batteries on one charger (8 on each position). Batteries display their own state of charge so that you can see instantly which batteries are ready to use.
The charger also incorporates a 100W camera power supply.
Replace your Anton/Bauer Li-Ion batteries with a superior, high-current, intelligent linking battery. Combine capacities for a longer run-time or a current draw capability of up to 12A - ideal for power-hungry camera setups. Hot-swap batteries for continuous power. The PAGlink HC-PL94T is compatible with the AB Gold Mount camera plate and AB Li-Ion chargers. There is no need to throw-out expensive kit in order to benefit from PAG’s truly digital and cutting edge linking battery technology.
Odyssey 7Q+ and Odyssey 7 Now Shipping
The Odyssey family is intended to follow users as they journey through their careers from DSLRs to high-end 4K raw cine cameras, hugging the ever-changing camera technology curve and adapting to change without invasive hardware changes or costly upgrades. The Odyssey series combines Convergent Design’s knowledge and experience of both broadcast and cinematography recorders, while adding the capabilities of a high-end professional monitor for an amazing $1295 USD (Odyssey7 – monitor and compressed recording capability).
The Odyssey7Q+ is able to record more formats and signal types than any other recorder in the world. Included in the Odyssey7Q+ is Apple ProRes 422 (HQ) recording in HD/2K up to 60p and UHD/4K up to 30p. Also included is Uncompressed DPX video recording in HD/2K in 10/12-bit up to 60p. Record Options available for purchase and/or rent via this website allow recording of ARRIRAW (ALEXA), Canon Cinema RAW (C500) Sony FS RAW (FS7/FS700 and POV RAW (IO Industries, Indiecam). FS RAW and Canon Cinema RAW also feature the ability to convert RAW signals into video and recording in Apple ProRes 422 (HQ). Additional recording formats will be added via firmware updates. Recording is to fast and reliable Odyssey SSDs, available in 256G, 512G and 1TB sizes. Two SSD slots allow for extended record times and high dataload recording. Learn more
Battery Transportation Info
Rechargeable Lithium-ion battery transport is regulated by the following agencies:
THIS INFORMATION IS PRESENTED FOR INFORMATIONAL PURPOSES ONLY. IT IS GENERALIZED AND DOES NOT CONSTITUTE LEGAL ADVICE ON TRANSPORTATION REGULATIONS OR ANY OTHER ISSUE. REGULATIONS CHANGE ON A REGULAR BASIS AND VARY BY JURISDICTION. THIS INFORMATION SHOULD NOT BE USED AS A SUBSTITUTE FOR OBTAINING ADVICE FROM EXPERT COUNSEL AND ASSOCIATED EXPERT CONSULTANTS WHEN ADDRESSING ANY PARTICULAR SITUATION.
All Carry-On / Checked Baggage passenger rules should be verified with your specific carrier prior to travel.
All Anton/ Bauer lithium-ion batteries offered for transport have passed tests T1 - T8 as described in the UN Manual of Tests and Criteria. Records of test results are available upon request.
Material Safety Data Sheets (MSDS) for all Anton/Bauer batteries are available upon request.
Please contact: ServiceSupport@vitecgroup.com for all other transportation related inquiries.
Batteries not installed in equipment must be individually protected to prevent short circuits by placement in the original Anton/Bauer packaging or by otherwise insulating terminals (tape over terminals, each battery in a separate plastic bag, etc.)
Cinema Shot selected as first reseller for Camera Support Industries
Cineped now available for rental at Cinema Shot! Become an expert of camera movement – Just push, pull, slide, turn and swing the camera or combine for new perspectives. Stay competitive and improve production quality with precise camera movements. Timeless quality and visual variety. Unique and effective combination of slider rotation and fluid head rotation mechanism creates new axis of motion – 3 for the price of 1 (Our Quattro / 4 leg replaces standard tripod, baby and hi-hat). Learn more
Colorado Film Incentives. Effective July 1, 2012 - Boosted Film Incentive Program for Colorado!
Colorado now offers a unique and highly competitive film incentive program by doubling it's cash rebate to 20% (previously at 10%). Colorado also provides a one-of-a-kind state guarantee loan program that will finance up to 20% of your entire budget for qualifying feature film productions. The new film incentive program for Colorado also increases the total incentive rebate to approximately $4 million dollars per fiscal year.
If you would like to apply for the Colorado film incentives program, you must fill out a "Statement of Intent" and send it to "The Office of Film, Television & Media" as soon as you have determined your shooting dates. Please visit the Colorado Film Commission website for more details on how to apply for filming incentives in Colorado.